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Maybe you're excited about this AOL / Time Warner thing, but frankly, it scares me out of my pants. Reason: "You've Got Mail 2" and 3, 4, 5, 6.
There's no stopping these guys, now that they're drinking from the same
cooler. When Ted Turner's head is the sanest in a particular bunch, you know
you're in for some real trouble.
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STRICTLY COMMERCIAL
Are commercials the best thing on broadcast television? Let me put it to you
this way: when's the last time you picked up a catch phrase the equal of
"Great Googily-Moogily" from the MacNeil/Lehrer Report? How about the last
time "3rd Rock from the Sun" delivered a gut-busting zinger on the order of
"Make 7-Up Yours?" Commercials are - especially now - the proving ground for
hotshot young directors: David "Fight Club" Fincher, Doug "Swingers" Liman
and Michael "I'm whoring for Jerry Bruckheimer" Bay have all Gone
Commercial, and will probably go again. Wanna know why? Visit Ad Critic,
a terrific site featuring hundreds of recent and
classic commercials in one sprawling gallery, and you'll be sold in short
order. Forget television -- there are better movies here than at your local
multiplex: as a "guy comedy," Budweiser's "Whazzup" spot wallops the hell
out of "Deuce Bigalow," Apple's "1984" spot is still the best thing Ridley
Scott's done since "Blade Runner" and Nike's "Y2K Joggers" is the way I'd
prefer to spend my personal End of Days. Great junk. But that's not all!
Visit Ad Critic now, and get Monica Lewinsky's "Jenny Craig" pitch,
absolutely free!
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BLUES IN THE NIGHT
We wait, anxiously, for Blue Man Group to come to Las Vegas. The show, "Blue Man Group Live at Luxor," opens in March; we
cannot wait that long. So we buy their terrific debut CD, "Audio," but
that's hardly enough; we watch clips of the Group in action, but they just
prime the pump. Even a visit to Blue Man Group's official website, with its
music samples, modern-art malapropisms and funky-punky-monkey-rock, leaves
us wanting. Wanting to see Blue Man Group, the famed performance troupe with
the three guys painted royal blue. We wait. And the waiting becomes a form
of art in itself. Bizarre, innit?
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THE END USER
The Passenger attended the Consumer Electronics Show this year, as always.
It was lovely, but not quite the futuristic orgasm of bio-technical
consumables I'd hoped for. I've already got a PC and DVD player, mes
amis -- where are the working lightsabers? The hovering skateboards? The
engines that run on water? As it turns out, all these innovations - and a
hover-boatload of others - lie in wait at Future Horizons, along with psionic devices, time-travel diodes and nearly every other kind of hi-fi sci-fi. Having trouble with the
principal? The Laser Gun is just $8, and "can be built by the average
high-school student." Ever craved a bionic exoskeleton of your very own?
Future Horizons says, "Who hasn't," and offers one. And "Have you ever felt
that someone was using a voice stress analyzer on your telephone
conversations?" I reckon that goes without saying; shell out $8 and start
making those booty calls without fear of being ostracized. Future Horizons
reads like one of those "X-ray specs" ads in the back of pre-1980 comic
books; as with any merchandise you acquired in those hazy, halcyon days,
your mileage here will truly vary. Better dump some more water in the tank.
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NO MORE PAPERWORK
After Stanley Kubrick's untimely death last year, a good chunk of Usenet was
abuzz with a single, burning question of succession. Who would pick up the
filmmaker's stubborn, fiercely independent and inventive mantle? More often
than not, the first name that came up was that of Terry Gilliam, director of
"Brazil," "12 Monkeys," "The Fisher King" and "Fear and Loathing in Las
Vegas." Perhaps so, but placing Gilliam underneath Kubrick is a disservice
to the former Monty Python troupe member; Kubrick couldn't have made a
Gilliam film any easier than Gilliam could have made a Kubrick flick. Dreams,
a fanzine devoted to Gilliam and his work, makes a case for the visionary director as his own chapter in the book of
the giants, stretched leisurely between Fellini and Kurosawa. His next two
films, "The Death of Don Quixote" and "Good Omens" will only prove something
to those who haven't been paying attention to the man's work. The rest of us
know, and have known for years.
Merge? No, thanks, I just ate. But I'll gladly take any suggestions,
corrections, greetings or salutations you want to send me, by way of
passenger@vegas.com. See you next week!
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The Passenger first appeared on Vegas.com and ran from March 1998 until February 2000.
Back to list of Passenger columns
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